Surface Pro is the number one Windows tablet for artists, but the user interfaces on most 3d graphics applications don't pass the touch (or pen) test.

NOTE: I stopped updating this post in October, 2013. However, much of what runs on the Surface Pro 2 should also work with the original Surface Pro. Applications that have had compatibility issues with display drivers such as Autodesk Mudbox will likely break if you attempt to update the SP1.

One of the principal objectives of this blog is to help take the guesswork out of making your purchasing decision. I'm taking the time to install and determine whether these creative applications run so you won't have to. 

Here's what I've installed and tested so far: 



ArtRage 4 - runs, recommended


  •  3DS Max 2014, 2013 - runs
  • Maya 2014, 2013  - runs
  • Maya LT 2014 - runs
  • Mudbox 2014, 2013  - incompatible, requires discrete graphics
  • Mudbox 2010 x64 - runs
  • Sketchbook Designer 2014, 2103  - runs, pressure sensitivity corrected with Wacom Feel driver update
  • Sketchbook Pro 6.2.3  - runs, recommended
  • Softimage 2014, 2013  - runs

Blender  2.68 - runs, not recommended: interface tool small, not scaleable, scaling reacts to pen movement


  • Clip Studio Paint 1.2.7 - runs, recommended (Japanese language)
  • Clip Studio Modeler Beta 0.9.0 - runs (Japanese language)


  • Corel Draw x6 - runs
  • Corel Painter x3 -runs


Gimp 2.8.6 - runs 

Lumion Keyshot 4.1.35 - runs



Luxology/Foundry Modo 701601 SP5 - runs, set input device to tablet 

Maxon Cinema 4D Studio R14 - TBD

Newtek Lightwave 11.5 - runs, with pen control issues

Pilgway 3D-Coat 4.0.03 - runs  



61 Solutions Mischief 1.08 - runs

Smith Micro

  • Anime Studio Pro 9.5 - runs
  • Manga Studio 5, 5 EX - runs, recommended (update to 5.0.3)
  • Motion Artist 1.1 - runs
  • Poser Pro 2010 - runs




Speedy Painter 3.0.7 - runs

TeamUP (Lagoa) MultiOptics - runs, Chrome only

Toonboom Animate Pro 3 - runs

Trimble Sketchup 2013 - runs 

Triple Squid Software Design Moments of Inspiration 2.0 (Moi3D) - runs  

Unity Pro 4.3.0b5 - runs, touch response unreliable. Works with mouse, capacitive stylus.

Would you like me to test any other programs? Please leave a comment below.

If you've read any of my 3d posts, you know that I have been on the lookout for a low-cost 3d app to recommend to 2d artists. Blender is still a better deal (free), but the just announced Maya LT 2014 priced at approximately 1/5 of the pro version is definitely worth a look. 

If the interface is consistent with the existing Maya 2014, it isn't ideally suited for running on the Surface Pro. The user interface has too many icons that are very difficult to target on the tiny screen, but of course I'll be installing it soon to confirm. Meanwhile, enjoy the many videos and full press release below: 

Learn more on AREA: Introducing Autodesk® Maya LT 2014™, a 3D modeling and animation software tool designed for indie game developers seeking a professional solution at an affordable price.


Autodesk Unveils Maya LT for Indie and Mobile Game Developers Starting at $50 a Month

Powerful Tools and Affordable Pricing Expand 3D Options for Independent Game Developers and Small Studios

Wednesday, August 28, 2013 9:00 am EDT

SAN FRANCISCO--(BUSINESS WIRE)--Autodesk, Inc. (NASDAQ: ADSK) today introduced Autodesk Maya LT 2014, a new 3D modeling and animation tool tailored for independent and mobile game developers. Available immediately and compatible with certain industry-standard game engines, Maya LT draws inspiration from award-winning Autodesk Maya software to bring an intuitive, affordable new toolset for the creation of professional-grade 3D mobile, PC and web-based game assets.

“We see indie game developers as a key part of the industry, driving innovative new production techniques and gameplay,” said Chris Bradshaw, senior vice president, Autodesk Media & Entertainment. “The market is fiercely competitive, and Maya LT can provide indie developers and small studios with a powerful, yet simplified workflow for designing and animating remarkable 3D characters, environments and props – at a price that fits within even the most modest budget. It’s a practical solution that closely matches the needs of the mobile game development production cycle and helps developers rise above the noise and really shine.”

Smaller studios like Phyken Media, creators of the mobile game Wizard Ops Tactics, saw both the economic and workflow benefits of the new product.

“I jumped at the chance to try Maya LT, as the cost flexibility means we could grow the studio much more comfortably,” said Phyken Media President Kunal Patel. “With an option like Maya LT, our small team can accept bigger challenges and take on various new types of projects that may require more artists without having to worry much about any large upfront expenses. We even found operating expenses are much easier to determine.”

Maya LT for Game Developers

Maya LT debuts with an easy-to-navigate user interface (UI) and industry-renowned 3D modeling and animation tools that enable independent game developers to rapidly deliver 3D assets into game engines. The software integrates seamlessly into game development workflows with out-of-the box support for Unity 3D Engine and Unreal® Engine™ through the FBX file format for primary data exchange, and the ability to import certain 3D asset formats [Maya (.ma, .mb), Maya LT (.mlt), OBJ, FBX, AI, EPS] and texture formats (BMP, PNG, DDS, EXR, TGA, TIFF), as well as export 3D assets in FBX and .mlt.

Key Features

Maya LT has a number of features customized specifically for the needs of mobile and independent game developers: powerful modeling tools to help create and alter 3D assets of any size and export FBX files containing up to 25,000 polygons per object, animation tools that include a skeleton generator and inverse kinematics with Autodesk HumanIK, and high-quality viewport previews to help developers view assets as they would appear in game, reducing iteration and asset creation time. Other key features are lighting and texture baking, giving designers professional global illumination tools to help simulate near realistic lighting through baking lighting data into texture maps, and vertex maps.

Pricing and Availability

Autodesk Maya LT 2014 is now available for Mac and Windows at a starting price of $795* SRP per perpetual license. Term licenses will also be available as part of a monthly, quarterly or annual rental plan in the near future, starting at $50* SRP, $125* SRP and $400* SRP respectively.

Learn More About Game Development with Autodesk Maya LT

For more information, and to download a free** trial of Maya LT, visit: Connect with the Maya LT development community at:

About Autodesk

Autodesk helps people imagine, design and create a better world. Everyone—from design professionals, engineers and architects to digital artists, students and hobbyists—uses Autodesk software to unlock their creativity and solve important challenges. For more information visit or follow @autodesk.

Autodesk, the Autodesk logo, and Maya are registered trademarks of Autodesk, Inc., and/or its subsidiaries and/or affiliates in the USA and/or other countries. All other brand names, product names or trademarks belong to their respective holders. Autodesk reserves the right to alter product and services offerings, and specifications and pricing at any time without notice, and is not responsible for typographical or graphical errors that may appear in this document.

© 2013 Autodesk, Inc. All rights reserved.

* The Suggested Retail Price (SRP) shown is Autodesk’s suggested price for the specified product and services in the United States. The SRP does not include any allowance or provision for installation or taxes. The SRP is displayed for reference purposes only, as the actual retail price is determined by your reseller. Other terms and conditions may apply. Autodesk reserves the right to alter the SRP, product offerings, and specification of its products and services at any time without notice, and is not responsible for typographical, graphical, or other errors that may appear on this site.

** Free Autodesk software licenses and/or cloud-based services are subject to acceptance of and compliance with the terms and conditions of the license agreement or terms of service, as applicable that accompany such software or cloud-based services. 

AuthorRick Rodriguez

Things have been a little slow on the Surface Pro and Windows tablet front the last couple of weeks, but that should all change beginning next week with the big reveal from Wacom, the eventual release of Samsung’s ATIV Q, Windows 8.1 and eventually the Surface 2.

In the meantime, I’ve been spending the last couple of weeks with my new favorite software Manga Studio 5, trying to learn the ins and outs of 3d modeling for it. Don’t judge me for focusing on 3d in a paint program, but I just naturally gravitate towards the least documented aspects of any software I use. All the digging and trial and error are just forms of procrastination to avoid real work.

Smith Micro is currently in talks with Manga Studio’s Japanese developers Celsys about whether to publish their new Clip Studio Modeler software as an English language companion product or add-on to Manga Studio. The software is currently available as a free beta from the Celsys site and a user has published a rudimentary English translation if you’d like to check it out for yourself.


Clip Studio Modeler beta - Coming soon to Manga Studio family?

Manga Studio Modeler, or whatever it ends up being called, will probably be the preferred method for creating or modifying 3d materials for future versions of MS, but in the meantime, I thought I’d focus on tools that I’m familiar with. [UPDATE: Although the fan-made translation leaves a lot to be desired, I've spent enough time with the 0.9 beta of CS Modeler to surmise that it is a very limited 3d app and will require a lot of polish before it can be used to model 3d characters.]

3D is a huge, complicated and frankly messy subject matter. Once you understand the basics and know where to find the features you need in a particular tool it’s not so bad. But the moment you need to move content from one application to another, you can be opening up a hornet’s nest.

I’m going to try to keep this series of posts as simple and generic as possible. I will point to some specific tools that I use, but you should be able to reproduce these steps with just about any 3d software. Each tool has its strengths and weaknesses, but it all generally comes down to personal preference and budget.

The 3D Canvas

Some of this will sound like math and I’m very sorry for those of you whose minds turn to mush at the very thought of math.

With a paint program like Manga Studio, you’re accustomed to working on a two-dimensional plane that can be described by a horizontal (x) dimension and a vertical (y) dimension.

3D adds a perpendicular plane that defines the vertical (y) and depth (z). In the image below, the ground plane is lying on the x (horizontal) and z (depth) plane.


Visualizing the 3d workplane

In the image above, the cube mesh is defined by 8 points or vertices. (Only 7 locations are visible in this image. The last vertex is hidden by the front facing surfaces.)

Each side of the cube is composed of one quadrangular polygon or face. Each quad is defined by four vertices. The quad polygon can be subdivided into two triangles. Each vertex can be identified by its x, y and z coordinate.

Object Types

There are two types of 3d materials or objects to consider: static or articulated meshes.

As its name indicates, a static mesh doesn’t have any moving parts and is probably what you will import most often.  Examples of static meshes are props, scenery and backdrops, like a pencil, a desk or a classroom. Articulated meshes, such as the 3d characters included in Manga Studio, have moving parts that you can pose.

File Formats - OBJ

Every 3d software writes its own file format, but a couple of these formats have been around long enough to become “universal.” The most common of these is OBJ. Because this format goes all the way back to the dawn of computer animation, it is the most basic.

OBJ models contain no animation information and are always static.

An OBJ file is simply an ASCII text file that lists the x, y and z coordinates of every vertex (v) in a mesh.

Here’s the first few lines of an OBJ file for the cube mesh:

# XSI Wavefront OBJ Export v3.0
# File Created: Sat Aug 17 04:17:07 2013
# XSI Version:
mtllib cube.mtl
o cube
# Hierarchy (from self to top father)
g cube
#begin 8 vertices
v 0.000000 0.000000 0.000000
v 1.000000 0.000000 0.000000
v 0.000000 1.000000 0.000000
v 1.000000 1.000000 0.000000
v 0.000000 0.000000 1.000000
v 1.000000 0.000000 1.000000
v 0.000000 1.000000 1.000000
v 1.000000 1.000000 1.000000
#end 8 vertices

You’re not going to need to edit an OBJ file except to determine the name of its material library. In the cube example above, the mtlib associated with the mesh is called cube.mtl.  Manga Studio will allow you drag an OBJ file directly onto its canvas, but without an accompanying MTL file, the mesh will render as a solid gray with no textures.

Unfortunately, while there are many thousands of free OBJ files available for you to download online, they often don’t have an MTL file. For these files, the only way to apply materials is to load them into a 3d program, add color and textures and re-export them with a new MTL file.

The MTL file

The MTL for a given object is also a simple ASCII text file. Here is the cube.mtl referenced in the cube.obj file:

newmtl scene_material
Ka 0.300000 0.300000 0.300000
Kd 0.700000 0.700000 0.700000
Ks 1.000000 1.000000 1.000000
Ns 50.000000
Tr 0.000000
illum 2

Newmtl defines the name of the material applied in the 3d application. In the above example, it’s Softimage’s default scene_material.

newmtl material
Ka 0.257000 0.000000 0.000000
Kd 0.698000 0.000000 0.000000
Ks 1.000000 1.000000 1.000000
Ns 50.000000
Tr 0.000000
illum 2

In this example, the scene_material has been replaced by material.

newmtl red
Ka 0.257000 0.000000 0.000000
Kd 0.698000 0.000000 0.000000
Ks 1.000000 1.000000 1.000000
Ns 50.000000
Tr 0.000000
illum 2
Ka 0.300000 0.300000 0.300000
Kd 0.700000 0.700000 0.700000
Ks 1.000000 1.000000 1.000000
Ns 50.000000
Tr 0.000000
illum 2
map_Kd BlueGrid.png

This example has two materials: one named “red” and another named “map,” which is applied to one sub-group, or cluster of the cube (Polygon_XSIPOLYCLS). The most important entry to note here is the map_Kd item, which identifies the name and location of the texture required by the map material.

When you download an OBJ and MTL, you will also need to download or recreate any image texture files referred to in the object’s material library.

Texture files must be zipped in the same folder as obj and mtl files. Make sure that mtl is edited to reflect this path for textures.

When importing into Manga Studio, the obj, mtl and textures should all be zipped in the same directory. You will need to edit your MTL with a text editor to reflect this. In other words, if the map_Kd entry above read textures/BlueGrid.png, you would need to remove the reference to the textures folder.

The diffuse texture is an image file that determines the color of faces to which it is applied. If the diffuse texture referred to in an MTL file is missing, the corresponding faces that use that material will render grey.

Manga Studio doesn’t understand any references to specular, bump or other common textures. Make sure to edit those out of the MTL file or your object won’t render properly.

So now that you know a little about OBJs and the way Manga Studio interprets their materials, you should be able to import any static mesh you create or find online, using the process I wrote about here and that MS artist and trainer extraordinaire Doug Hill demonstrated in his video here.

File formats – FBX

FBX, short for Filmbox, was a format created for the importation of 3d objects for motion capture. Filmbox was purchased by Autodesk who market the product as Motion Builder. The FBX format is constantly being updated and has become the de facto standard for sharing data between 3d applications and game engines.

The problem with FBX is that it is managed by Autodesk and is not an entirely open standard. Developers (including some within the Autodesk family) are always having to play catch-up with semi-annual releases that often break the previous version.

FBX can be such a hassle that sometimes a file that plays perfectly in one application will look badly mangled or worse refuse to load altogether in another. As an example, when I first started writing this post, I thought I would use the free DAZ Studio 4.6 to demonstrate the creation of FBX files, but the files it currently generates are not compatible with the recently released Autodesk FBX Review, which I discussed here.

I'm not saying that FBX is totally broken. Depending on the source, it does work, and Manga Studio understands it, but I’ll save that for another article once I’ve found a reliable pipeline that is also affordable.

Rigging and Skinning an OBJ

If you’re modeling your own character to pose, it may take some effort, but every 3d application will eventually generate a flavor of FBX that Manga Studio will be able to read.  If you’re not a modeler or can’t invest the time to build a character from scratch, you’re not entirely out of luck.

There are many free and paid sources of 3d models online, including Turbo Squid, TF3DM, Creative Crash, and many others. This site has a nice list of over 60 such destinations.

Whether a mesh is available for free or paid, there Is no guarantee that it will work without some intervention on your part. Quality varies widely and products produced over the years may no longer be 100% compatible with current tools. In the example screenshots below, I used a Spider-Man mesh that I found on TF3DM, but it was composed of several different objects that I needed to combine. It also had specular and bump maps that I discarded. Had I kept them in the file, the mesh would render as grayscale.

Assuming you have found an OBJ you like, cleaned up its MTL file and accompanying textures and gotten it to load correctly in Manga Studio, the next step is to make it poseable.

To do this in a 3d application, you create or bring in a pre-made skeleton (rig) and attach or skin it to your mesh. Every software does this differently, so you will need to research this on your own.

For those of you who don’t own a 3d app or want a shortcut, there is a free (until September) option. Mixamo is a service designed for game artists who want to quickly apply motion captured animations to their game characters. In addition to working with already rigged meshes, Mixamo also features an amazing auto rigger that works great and is absolutely free to use for the next few weeks with meshes under 10,000 polygons. 

If your OBJ, MTL and textures have loaded correctly, you'll see your textured object here.

After you create an account, upload your zipped OBJ, MTL and textures to the auto rigger.


Markers assigned with symmetry on.

You will then assign markers to define the object’s chin, wrists, elbows, knees and groin. Mixamo automagically will do the rest. 

To test the results, you can see your mesh performing various animations, including an all-important rigging stress test. Above is a screengrab of the rigged Spider-Man mesh performing a standard run. If you’re happy with the results, you can download the resulting FBX file for free.


The Mixamo FBX output loaded and posed in Manga Studio 5

Simply zip up your Mixamo FBX file and its corresponding textures and drag this archive onto Manga Studio and you now have a working poseable character.

Mixamo is a great service and is obviously a huge timesaver for professional game artists. Unfortunately, it’s All-Access annual plan is quite expensive for only occasional use. I recommend taking advantage of the remaining weeks of free availability and I will research any other low cost alternatives I can find. If you know of any, please leave a comment in the section below.

One obvious alternative is the free and open-sourced Blender. This is a very robust application that should be able to handle the entire 3d modeling, texturing, rigging, skinning and exporting process for you. However, it can be quite daunting to learn and I've never taken the time to use it. If any of you are Blender users and would like to contribute a post or video, I and the entire Manga Studio community will thank you.

* * * 

So there you have it: more than you probably ever wanted to know about 3d, OBJ and MTL and a simple, free (for a limited time) way to get poseable 3d characters in your Manga Studio projects.  I'd like to do more of these types of posts in the future, but I'd really appreciate your feedback on how basic or technical to make them. I look forward to reading your reactions and seeing how you apply these 3d assets in your upcoming Manga Studio projects.